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Krautnoise 07 |
Lind Bohm ° Child Of God |
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Lind Bohm ° tools
Written, recorded and produced by Lind Bohm. Recorded in Westcape/Southafrica and Bohmium Bavaria/Germany. Photography by Merzbach. Concept by Lind Bohm. Cover model: James Ray Bohm. |
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Child of God pt.1 01 ESC 02 Chakra energy feeder 03 soft machine 04 from under my nose 05 Davi Ergo 06 kubotron 07 Lark Kinsky 08 Hemocyan 09 double helix 10 mad scientist |
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Child of God pt.2 11 Jennerwein 2 13 foolworth 14 Rubenstein 15 lagusto 17 LSD sucker blues 18 Faust im Nacken 19 last exit rosenheim 20 startdowncom |
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Lind Bohm, focalizes on the interaction between real instruments, voice (filtered, distorted) and computer. The result moves towards a cut-up between John Oswald , primordial electronica and softer Merzbow. Check "From Under My Nose", "Davi Ergo", "Lark Kinsky", the beautiful "Jennerwein II", Daniel Menche style) or tracks (when he risks some serious songwriting) like (Hemocyan, Faust im Nacken). BLOWUP (I), April 09 Kudos: This music has the aversive force of poetry Andrea Liuzza (I) Spectacular demonstration of noise, maximalista and baroque Sintetic Collage (FR) Organic and machine are not an opposition ... But the result of your music means more life than some layman can suppose in the world of „noise“ Bravo ! Elements and noises are alive friends LAHERSE (F) It‘s like a building of a new architecture for infinity of audio stimulus MT (JP) This songs are the follows..........the really beautiful nervous follows of this very deep integral sculptures.....very intense and ritual. Impressed! Christophe.g /Tellemake (FR) Commonly we won’t associate electro acoustic and noise music with this landscape, but most probably just because of some semi intelligent prejudices. After all we owe lots of brilliant and crazed electronic music to this state of rural isolation. Cluster, Michael Rother and Embryo preferred tweedy surroundings, so did the Kosmische Kuriere in their Swiss exile. Indeed these bands may represent references for his work, but Lind Bohm opted not for the simple way celebrating the heroes of the 70’s. Lind Bohm merely concentrate on a reconstruction of these audio experiments, than to copying good old and well known krautisms. So “Kraut” stands for rather sound and production aesthetics and refer to unexploited potentials in this field of audio creation (ambiguously track title like “Faust im Nacken” support that aspect). Though you can find some “clicks” and “glitches”, but most of the sonic material hits you like the full dose of audio tape manipulation and old analogue equipment. Lind Bohm definitely stand out in the bunch of similar noise artists. Call it Avantgarde if you want. Especially when you remember this very special branch of fine arts with grand earnings for electronic music: fluxus! SKUG (Germany, 2009), www.skug.at |
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